Went along to see Adam Neate‘s solo show at Elms Lesters next to John’s yard off Tottenham Court Road this afternoon. It’s a wicked little gallery and Mr. Neate is what we in the amateur art criticism world refer to as a ‘bad-ass motherfucker’.
If the name rings a bell it’s probably because just over a year ago he gave away a load of artworks (estimated value: ‘a milli’) by just leaving them in the street around London.
Bad News Travels Fast (2009)
I’ve never seen a solo show of his before and to be honest some of his straight-up paintings are pretty mediocre. But the mixed media numbers that use spray-paint, sculpted cardboard and some ‘found object’ stuff like shoes, beer cans and newspapers are off the hizzle. Bad News Travels Fast was a personal favourite, but his Virgin Mary in transparent, flourescent perspex was double dope, too.
Highly, highly recommended. Check some mo’ fo’ to’s on the flick-her if you can’t reach.
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A New Understanding.
Went along to see Adam Neate‘s solo show at Elms Lesters next to John’s yard off Tottenham Court Road this afternoon. It’s a wicked little gallery and Mr. Neate is what we in the amateur art criticism world refer to as a ‘bad-ass motherfucker’.
If the name rings a bell it’s probably because just over a year ago he gave away a load of artworks (estimated value: ‘a milli’) by just leaving them in the street around London.
I’ve never seen a solo show of his before and to be honest some of his straight-up paintings are pretty mediocre. But the mixed media numbers that use spray-paint, sculpted cardboard and some ‘found object’ stuff like shoes, beer cans and newspapers are off the hizzle. Bad News Travels Fast was a personal favourite, but his Virgin Mary in transparent, flourescent perspex was double dope, too.
Highly, highly recommended. Check some mo’ fo’ to’s on the flick-her if you can’t reach.
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